Y&R
Music production, composition, audio post, voice, and production systems—grounded in more than two decades of records, television, and international work.
I work where musical judgment, storytelling, and production technology meet—from original music and scoring to Foley, dialogue, voice, and carefully designed audio workflows.
Records, sync, and original music for picture—from the first idea through arrangement, production, mix, and delivery.
Mixing, mastering, Foley, sound design, dialogue, voice, and podcast production—shaped around the material and its intended audience.
Automation, instructional media, faculty development, and individual guidance for creative production.
Awards, international releases and touring, film work, and hundreds of engineering credits.
Mastering credits on Brains releases recognized by two Fonogram Awards, official remixes for Opiuo, CloZee, Mr. Bill, and Three Drives, and releases across respected international labels.
Multiple tours with professional agency representation, plus club and festival appearances across Europe, North America, Australia, and Israel.
Score mixer for Beneath the Leaves, starring Academy Award winner Mira Sorvino, plus large-scale projection-mapping work across Europe, Asia, and Australia.
Original score shaped around narrative movement, tension, pacing, and emotional resolution.
Manual Foley and sound design, dialogue reconstruction, and voice regeneration for a historical-drama proof of concept.
Dialogue repair, pacing, music integration, mixing, and mastering for a historical documentary podcast.
Repeatable pipelines connecting musical judgment, DAWs, local processing, automation, and human quality control.
For my own creative work, I rely on my own ideas and hands-on craft, and do not use generative AI. In work for hire, I can use it or work entirely without it—the approach follows the material, the ethics of the project, and the client’s preference.
Tell me what you’re making, where it stands, and what needs to work better.